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Corte al Vico II San Michele 2023 features Ius Soli’s site-specific installation, with a sound installation by Giovanni Ambrosio and Antonio Marano, live performance by Compsa, and a video shot by Maria Mazzella.
I write prophecies, responses and pronouncements as Instagram Stories.
Catalogue of a site specific installation based on an urban ruin, an old telephone booth pedestal. The work is an essay on the remains of a wired based past in our public space, in a society of connectivity.
Dust of days: peripheral youth archive. A personal archive based documentary series about Naples and youth from the hinterland at the time of the first Berlusconi political wave in Italy: 1996-2001
Projects plans prints future pasts is an erased journal, turned into painted fragments and prints.
Prolegomena per un museo archeologico della Zona Rossa is a Ius Soli’s site-specific installation held at independent gallery O’ Vascio Room Gallery, in Naples outskirts. The book documents the residency, performances, and public discussions from February 22nd to March 20th, 2020.
DÉFINITIONS MÉTHODES + ARCHIVER EMERGER is a body of works produced along four years of meticulous work of solve and coagula by the stage director Philip Boulay in the district of Sept Arpents, in Paris suburban town Près St. Gervais: Histoires du bout de la Rue Béranger (chansonnier born in 1780 and died in 1857).
Chouf Chouf Shebab: Israel/Palestine fragments. Photography engages with the complexity of places, of people, of people talking, of people showing, of landscapes marked by stories and history.
Please do not show my face discusses the power of images, metaphoric border-crossing and the obsession with design and shapes. It explores the potential use of photography for narrative.
Nella zona vesuviana se non prendi la circumvesuviana prendi la macchina.
Projects plans stones wood plastic glass is an archive of images.