Capsule Collection Eject-a: Chapter II

Fragments reactivated, prints rewritten

This second chapter of the Capsule Collection, following the editions developed for Eject-a/1 and Eject-a/2, emerged unexpectedly through a conversation with a collector. He had hoped to acquire a black sike screened paper, which was no longer available. His request became the starting point for a new cycle of work.

This new collection reactivates the residues, fragments, and ruins of the Ejecta exhibitions. I gathered the leftover dust from the performance Signal from Noise, the worn lapilli fragments once stored in wooden boxes, and the discarded printing tests from the making of the Ejecta catalogue. I removed the sediment from earlier Capsule works and reused it in a new round of manual silkscreen printing, this time over black and test-printed sheets from the studio.

In this way, the materials were not reproduced—but rerouted: lapilli traces, damaged papers, ink residues, and stones once used in sound performances became the ground for new imprints. The result is a series of printed field recordings, made of what remains after eruption—after the gesture, after the show.

Lapilli—as ejecta—continues to guide the logic of these works: a stone thrown, shattered, landed, leaving only a trace, a shift, a surface fracture.